The CREATe Working Paper series is an open access resource designed to rapidly disseminate original research by CREATe investigators and associated scholars to the wider community. In addition to ensuring that new research becomes immediately available to the public in this rapidly-changing field, the series captures digital outputs which are not traditionally suited to the academic format but which nevertheless serve as anchor points for discussion, debate and advancement of understanding.
New additions to the series are made constantly throughout the year. Types of papers published include 1) specially commissioned pieces on topical issues related to intellectual property and the creative economy; 2) scoping reviews of relevant literature and methodologies; 3) digital transcripts of live conferences and workshops; and 4) research outputs which may include pre-prints of articles or papers under development by CREATe affiliated researchers.
The Editorial Board of the CREATe Working Paper series is headed up by Professor Philip Schlesinger and consists of a group of 15 senior faculty and future research leaders. The Editorial Board makes selection decisions about CREATe-funded research to feature in the series and evaluates unsolicited submissions for further external review. For more information about the Working Paper series and submission guidelines, consult the Guidelines for Authors page.
The CREATe Working Paper series is committed to public, open access. For that reason, the series is made available directly below and permanently archived on Zenodo.
Living With(in) Copyright Law: What is it, how does it work, how could it change? Project Report
Business Models, Intellectual Property and the Creative Industries: A Meta-analysis
EU copyright reform: the case for a related right for press publishers
Digitalisation and intermediaries
From publishers to self-publishing: The disruptive effects of digitalisation on the book industry
A lecture recording in higher education: risky business or evolving open practice
An Explorative Review of Copyright Education: Studies and Resources
Copyright and Cultural Memory: Digital Conference Proceedings
The competition discourse in British broadcasting policy
Digitization and changing windowing strategies in the television industry: negotiating new windows on the world
Press Publisher Rights in the New Copyright in the Digital Single Market Draft Directive
A Future for the Creative Economy: a report by Ruth Towse
Fashion micro-enterprises in London, Berlin, Milan
The creative economy: invention of a global orthodoxy
Why a reform of hosting providers’ safe harbour is unnecessary under EU copyright law
Connecting creativity, value and money
The European Commission’s public consultation on the role of publishers in the copyright value chain: A response by the European Copyright Society
DRAFT Industry Guidelines to Respect Copyright and Free Speech: Guidelines for copyright owners and intermediaries for respecting the right to freedom of expression as it relates to copyrighted works
From infringement to exception: why the rules on data mining in Europe need to change
The career-building strategies of individual creators: A meta-analysis of qualitative research funded by CREATe
Blockchain or the Chaingang – Challenges, opportunities and hype: the music industry and blockchain technologies
What is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H. Tomás Gómez-Arostegui
Regulating CMOs by competition: an incomplete answer to the licensing problem?
Copying, Creativity and Copyright
To Pay or Not to Pay? Determinants of Unlawful Product Acquisition
The South Korean Music Industry: A Literature Review
Privacy, Security and Data Protection in Smart Cities: a Critical EU Law Perspective
Copyright and Business Models in UK Music Publishing
Copyright, Football and European Media Rights
Copyright Collectives and Contracts: An Economic Theory Perspective
Is There a EU Copyright Jurisprudence? An Empirical Analysis of the Workings of the European Court of Justice
Copyright and Music Policy in China: A Literature Review
Inside a Cultural Agency: Team Ethnography and Knowledge Exchange
Copyright and Freedom of Expression: A Literature Review
Collective Management Organisations, Creativity and Cultural Diversity
Monkeying Around with Copyright – Animals, AIs and Authorship in Law
Copyright and the Value of the Public Domain
Copyright at Common Law in 1774
The Use of Privacy Icons and Standard Contract Terms for Generating Consumer Trust and Confidence in Digital Services
User illusion: ideological construction of ‘user-generated content’ in the EC consultation on copyright
CREATe Working Paper 2014/14 (28 October 2014)
Kristofer Erickson (2014), (16 pages) More details and abstract
Virtual worlds players – consumers or citizens?
CREATe Working Paper 2014/13 (28 October 2014)
Edina Harbinja (2014), (12 pages) More details and abstract
Self-enforcing or self-executing? What Computational Copyright can learn from LKIF Transaction Configurations for Eurobonds
Report on a computer assisted copyright reform observatory
The Aereo dilemma and copyright in the cloud
CREATe Working Paper 2014/10 (13 October 2014)
Monica Horten (2014), (14 pages) More details and abstract
The European Commission’s public consultation on the review of EU copyright rules: a response by the CREATe Centre
Literature reviews as a means of communicating progress in research
From organisational crisis to multiplatform salvation? Creative destruction and the recomposition of news media
Determinants and Welfare Implications of Unlawful File Sharing: A Scoping Review
Archives and Copyright: Developing an Agenda for Reform
Research Perspectives on the Public Domain
The Future Implications of the Usedsoft Decision
Open Access Publishing: A Literature Review
Copyright & Risk: Scoping the Wellcome Digital Library Project
Writing About Comics and Copyright
Intellectual Property Puts Article 6(1) Brussels I Regulation to the Test
Copyright, and the Regulation of Orphan Works: A comparative review of seven jurisdictions and a rights clearance simulation
Twitter (R)evolution: Privacy, Free Speech and Disclosure
“What happens to my Facebook profile when I die?” : Legal Issues Around Transmission of Digital Assets on Death
Copyright and the Economic Effects of Parody: An empirical study of music videos on the YouTube platform, and an assessment of regulatory options
Archives and Copyright: Risk and Reform
“CCTV sniffing”: Copyright and Data Protection Implications
What Constitutes Evidence for Copyright Policy? Digital Proceedings of ESRC Symposium
The website category is the most interactive of all NHD categories. A website should reflect your ability to use website design software and computer technology to communicate your topic’s significance in history. Your historical website should be a collection of web pages, interconnected by hyperlinks, that presents both primary and secondary sources and your historical analysis. To engage and inform viewers, your website should incorporate interactive multimedia, text, non-textual descriptions (e.g., photographs, maps, music, etc.), and interpretations of sources. To construct a website, you must have access to the Internet and be able to operate appropriate software and equipment.
Websites can display materials online, your own historical analysis as well as primary and secondary sources. Websites are interactive experiences where viewers can play music, look at a video or click on different links. Viewers can freely navigate and move through the website. Websites use color, images, fonts, documents, objects, graphics and design, as well as words, to tell your story.
- Research your topic first. Examine primary and secondary sources. From this research, create your thesis. This will be the point that you want to make with your historical website.
- Narrow in on the content of your website. Decide what information you want to incorporate in your web pages, such as any photos, primary documents, or media clips you may have found. You should be sure to have plenty of supporting information for your thesis.
- Create your website with the NHD Site Editor.Click here to begin the registration process.
- Consider organization and design.
- Keep it simple: don’t waste too much time on bells and whistles. Tell your story and tell it straight.
- Borrow ideas from other websites: find design elements that work and imitate them on your website. Just remember to give credit where credit is due.
- Make sure every element of your design points back to your topic, thesis, and/or time period. There should be a conscious reason for every choice you make about color, typeface, or graphics.
PLEASE NOTE – If you converted your website to save from previous contest years, you will need to use a new email address to create an account for the 2015 contest. The email address is optional and only used to recover passwords in the event of forgotten or lost passwords.
With so many complaints in the past regarding the Scrib.d element on NHD Weebly, we have removed this element and recommend students post their bibliographies and process papers as PDF files on their websites, using the ‘File’ element under ‘Media’. Please visit the following website created by former NHD participant, Christopher Su, for helpful tips and guides: NHD Website Resources
If you have any further questions please email IT@nhd.org with your current URL and login information. If you have lost your login information, cannot convert your standard Weebly to NHD Weebly, or need an account recovered please email email@example.com.
A process paper is a description of how you conducted your research, developed your topic idea, and created your entry. The process paper must also explain the relationship of your topic to the contest theme. For more information on the Process Paper and other rules, review the Contest Rule Book (English) / Contest Rule Book (Spanish).
China's Surge into Silk: The Exploration, Encounter, and Exchange of the Silk Road
Tigan Donaldson & Brian Ely
The Visionary Exploration of Jacques Cousteau: Changing Perceptions of the Ocean through Undersea Encounters
Sovigne Gardner & Grace Gardner
Ada Lovelace, The Enchantress of Computing: Exploring the Beginnings of the Information Evolution